There’s none of that, ‘I’m a man, so I love a woman.’ Gay men say, ‘I love this person for who they are.’ ”Īlthough comics existed before World War II, they were considered a children’s medium. Gay love is more natural than male-female love. Asked why, she waxes romantic: “It’s real love from the heart. Her favorites are gay love stories, the current craze among women in their 20s. For her, they are pure fantasy, she says, an escape from daily life. She estimates that each week, she devours 10 manga, which are several hundred pages apiece. Junko Shimizu, 31, a Comic City regular, says she picked up the comics before she could read.
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Most recently, says Yoshiiki Wada of Comic City, young women moving into the workplace have started reading manga about the legendary, job-consumed, stereotypical office employee-the “salaryman"-to try to glean information about the “logic of male Japanese society.” Store managers say their clientele ranges in age from 10 to 50 and that sales trends closely reflect broader social changes. A futuristic robot rings up purchases, while a space girl in a red vinyl dress checks bags.ĭown the street at Comic City, fans comb through the neon-pink-green-and-blue-covered comics. In Tokyo’s bustling Shibuya district, mecca for the city’s twentysomethings, manga superstores abound.Īt the two-story Mandarake,employees dress as famous manga characters. In America, perhaps you study the Greek tragedy,” he says. “In England, they have the study of Shakespeare. To him, manga are a unique literary form that has thrived untainted by foreign influences. Professor Tomofusa Kure lectures on manga at Tokyo Rika University, teaching students to study these graphic novels the way American students study classic literature. Universities teach manga, psychologists analyze them and there is even a museum in Osaka to memorialize them. They also call them a window into the Japanese psyche, shedding light on what motivates, inspires and titillates readers. “I was 13, and I thought, ‘Wow!’ ” says Sato, who works for an international think tank on Japanese-European relations.Ĭultural critics call manga Japan’s postwar literature, its social commentary and a repository for its most creative minds. “After I read the manga on the French Revolution-liberty, equality, fraternity and all that-I knew what I wanted to do. “Manga made me what I am today,” says Haruko Sato, 30, a self-proclaimed manga nerd. For them, the characters take their place alongside real people in everyday life, capturing headlines, offering testimonials for advertising and winning the public’s love and respect. So ubiquitous is their cast of characters that for millions of manga maniacs the line between comics and reality often blurs. Their stories often blend real news events with outlandish fantasies, unsayable words, undoable feats and-for a bestseller-graphic sex scenes. There’s Doraemon the robot cat, businessman Shima Kosaku and the world-famous “Japan Inc.,” a 1,000-page tome that lays out the corporate ways of the country’s labyrinthine economy. In their subject matter and approach, manga range from the fantastic to the realistic to the educational. “Among Japanese media, manga are unquestionably the most powerful,” says the creator of Rintaro, who uses the pen name Kuzu Haruo. Sales of these fat comics, which go for about $3.50 each, account for close to a third of the total output of publishing houses here and amount to a whopping 553 million copies a year. They are characters in Japanese manga, or comic books. Never heard of them? That may be because they aren’t real.
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Rintaro and Shima boast social influence, salaries and celebrity that Prime Minister Ryutaro Hashimoto and Los Angeles Dodgers star Hideo Nomo would envy.
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Now politicians in Washington want to hear what he has to say. Many also look to Rintaro, a visionary, idealistic bureaucrat in the Ministry of International Trade and Industry, to teach them about the secret machinations of the nation’s ministries and to share his insights on energy policy. When this young, hard-working, irresistibly debonair Hatsuba Electric worker was promoted to division chief in 1992, it made national headlines. Many Japanese look to Kosaku Shima to teach them the impeccable corporate etiquette that will take them to the top of the business world.